The first time the viewer sees Seth Cohen (Adam Brody), he sits cross-legged in pyjamas and plays a computer game like a parentless Kevin McCallister. This unconventional comedy/drama showcases a brilliant, moody, and self-centred 17-year-old.
The first sign of trouble. Marissa Cooper (Mischa Barton) is dreamlike: drenched in warm, shimmering, streaming sunshine, half-smiling, every inch of the teenage dream she would become to millions as The OC swiftly caught fire. She and Seth live next door in different universes.
Soon we’d meet Summer Roberts (Rachel Bilson), Seth’s unreachable obsession and Marissa’s unusual best friend, the type of girl who goes to house parties in a bikini and spouts California isms like every day was a cheer rally, as shallow as the pools they party around.
Ryan Atwood (Ben McKenzie), fresh out of jail, carries all his worldly belongings in a sack. The kid’s lawyer, Peter Gallagher’s Sandy Cohen, saw a spark in him.
By the end of the first episode, Ryan lives with Sandy in a Newport mansion, as lost as Seth. California!
The OC was a captivating television series that aimed to blend elements of The Karate Kid and 90210. It featured a James Dean-like character from a challenging background, a bright youngster eager to escape his upbringing, a tragic teenage romance set against the backdrop of wealth, glamour, and California coastlines, and a group of hard-partying teenagers guided by troubled adults.
Overdoses, home fires, and fistfights filled an hour-long program, more than most TV series.
Still in his late 20s and working on his debut show, Josh Schwartz sped through plots so quickly that by season two, massive flaws were appearing. The OC lasted four seasons, one and a half of which were outstanding. Like Friends or 90210, its stars will always be known for the show that launched them.
This episode introduces the Jewish/Christian festival of Chrismukkah. Seth’s fandom pushed Death Cab for Cutie into becoming a million-selling rock band. The public’s voracious fascination with Orange County generated The Hills and The Real Housewives of Orange County. It made water polo sound like a tough-kid sport.
On the OC show, Sandy Cohen immediately became a sex icon in his own right, unlike most shows portraying minors. Sandy popularised huge eyebrows before Cara Delevingne.
The OC knew it was ludicrous. The show winked at itself, made sarcastic jokes about how crazy it was, and never made its flawed characters look like they should be aspired to, even though they had pool mansions and horses. Everyone’s life was fractured, like in California. Every rumble caused an earthquake; megamansions were erected on shifting sand.
The OC peaked in season one, but the second season is perhaps the most memorable because of The Bait Shop and its lineup of mid-2000s indie rock acts. The Killers, Modest Mouse, the Thrills, the Walkmen, Rachel Yamagata, and Death Cab all played at the venue, where Seth said you could converse above the music, and there was never a drink line.
The OC serves as an ideal representation of a specific era. It’s a high-octane, funny trip into an impossible world. According to Death Cab, it’s a new year. World chaos. Cosy up.
